I. Interferentia

The Space As Light Breaks explores how colour and form are perceived when illumination is excessive, direct, or intensifying. Rather than presenting light as clarity, the works focus on the moment when visibility begins to destabilise under intensity — when brightness overwhelms structure and the eye must negotiate an excess of information rather than its absence.

Across the collection, light is treated as active rather than passive. Colour expands, contrast intensifies, and edges dissolve not through obscurity, but through saturation and glare. Forms remain present, yet are partially displaced by the conditions of illumination itself. The palette reflects this perceptual shift, translating heightened light into a visual language shaped by expansion, chromatic interference, and spatial compression.

The works are organised into three chapters that describe distinct states of light as it emerges and asserts itself. Emergentia Lucis examines the initial appearance of light as it settles across space; Lux Incidens explores direct illumination as it strikes surfaces and activates colour; and Interferentia addresses the disruption of visibility as light fragments through atmosphere and mass. Together, the collection considers light not as revelation, but as a perceptual force capable of both defining and destabilising what is seen.